Blinken OSA Archivum
HU OSA 206-2-29 Unerasable Communism
BookIconSeries Description
Context
Hierarchy
Statistics
Folders / Items in this series
Identity Statement
Title
Unerasable Communism
Identity Statement
Date(s)
2002 -
Identity Statement
Description Level
Series
Context
Name of creator(s)
Open Society Archives at Central European University
Content and structure
Scope and content (abstract)
An art exhibition of Károly Kelemen, painter.
Content and structure
Scope and content (narrative)
In conformity with his artistic interpretation of secondarily produced reality, in his newest series about the socialist realistic period of Hungary Kelemen has used propaganda photos, printed material and applied a special technique. The idyllic and heroic representations of the Soviet epoch in Hungary are Communist kitsch, says Kelemen. He has created his works by eraser and the pictures are destroyed by eraser as well. The pictures, the ideas shown on them are the unerasable negative traces of the epoch itself. By painting and erasing them Kelemen wished to share the aesthetic experience of getting rid of these traces with the public.
Content and structure
Accruals
Not Expected
Conditions of access and use
Conditions governing access
Restricted
Conditions of access and use
Conditions governing reproduction
Third party rights are to be cleared.
HU OSA 206-2-29 Unerasable Communism
BookIconSeries Description
Context
Hierarchy
Statistics
Folders / Items
Identity Statement
Title
Unerasable Communism
Identity Statement
Date(s)
2002 -
Identity Statement
Description Level
Series
Context
Name of creator(s)
Open Society Archives at Central European University
Content and structure
Scope and content (abstract)
An art exhibition of Károly Kelemen, painter.
Content and structure
Scope and content (narrative)
In conformity with his artistic interpretation of secondarily produced reality, in his newest series about the socialist realistic period of Hungary Kelemen has used propaganda photos, printed material and applied a special technique. The idyllic and heroic representations of the Soviet epoch in Hungary are Communist kitsch, says Kelemen. He has created his works by eraser and the pictures are destroyed by eraser as well. The pictures, the ideas shown on them are the unerasable negative traces of the epoch itself. By painting and erasing them Kelemen wished to share the aesthetic experience of getting rid of these traces with the public.
Content and structure
Accruals
Not Expected
Conditions of access and use
Conditions governing access
Restricted
Conditions of access and use
Conditions governing reproduction
Third party rights are to be cleared.